Competitions
In 2026, the Rostock University of Music and Drama will host the International Competition for the Interpretation of Ostracized Music for the first time.
The hmt Rostock also awards prizes in its internal university competitions: the “hmt Musikpreis” competition and the “hmt interdisziplinär” competition.
Students can also take part in the inter-university competitions D-Bü, the Felix Mendelssohn Bartholdy Hochschulwettbewerb and the Hochschulwettbewerb Musikpädagogik.
International Interpretation Competition Ostracized Music Rostock
April 9 - 12, 2026
The call for applications will be published on 15.09.2025
Application deadline: 31.01.2026
Target group: Young musicians from European educational institutions such as universities, music schools and other sponsors
6 categories
- Piano solo and 4 hands (also 2 pianos)
- Vocal solo or with piano partner as a duo
- Strings solo or with piano partner as a duo
- Wind solo or with piano partner as a duo
- Duo without piano
- Instrumental concert (special requirements)
Conditions of participation
The competition will be held in 2 rounds.
- In the preliminary round 2 works, Lieder or cycles from the repertoire of Ostracized Music and one work, Lieder or cycles of free choice (30 minutes in total)
Final round: 1 work, Lieder or cycles from the repertoire of Ostracized Music (15 minutes in total)
hmt Music Prize
The "hmt Music Prize" competition aims to promote and strengthen chamber music-making at hmt. It was organised for the first time in June 2006. The competition will cease in 2025.
Click here for information and competition conditions.
"hmt interdisciplinary" competition
The "hmt interdisciplinary" competition serves to motivate and promote interdisciplinary projects within the university. It took place for the first time in the 2006/07 winter semester and is held at the end of March/beginning of April.
Click here for information and competition conditions:
D-bü
D-bü is a competition for special concert formats. It is open to all forms of creative concepts, such as cross-genre or staged concerts, installations, music mediation/education, music of the 21st century, IT interfaces/new media, performances and much more.
D-bü offers participants an excellent forum for unusual event ideas.
Application: Please submit your application with meaningful documents and a concept (max. 2 pages) to Martin Rieck by 22nd January 2024. Attachments such as videos or audio files are optional.
To the call [de]
To the Competition [de]
Contact:
Herr Martin Rieck
martin.rieckhmt-rostockde
Felix Mendelssohn Bartholdy University Competition
The Felix Mendelssohn Bartholdy University Competition is organised by the Prussian Cultural Heritage Foundation in cooperation with the Rectors' Conference of German Music Universities (RKM) and the Berlin University of the Arts.
Application: The application deadline for 2024 has already passed
Contact:
Herr Martin Rieck
martin.rieckhmt-rostockde
University Competition for Music Education
The University Competition for Music Education is organised by the Rectors' Conference of German Universities of Music (RKM) in cooperation with the prize-giving associations Bundesverband Musikunterricht (BMU) and Verband deutscher Musikschulen (VdM). Outstanding independent music education work will be honoured. The topics can be chosen from the entire spectrum of the fields of activity and tasks represented in the study programmes, e.g. an artistic-pedagogical project or plan; an initiative for music education, research-oriented study, scientific work in music education; a best-practice example or a teaching unit.
To the Competition [de]
hmt Musikpreis 2024
Project prize for the promotion and strengthening of chamber music making
Overall management: Vice Rector Martin Rieck
Evaluation categories 2024
Chamber music: duo to sextet (instrumental and/or vocal) except piano duo
Deadlines and procedure
Start of registration: 01.04.2024
Registration deadline: 15.05.2024
1st round: 10.-11.07.2024
2nd round: 12.07.2024
Venue: Kammermusiksaal
Prizewinners' concerts:
13.07.2024, 20:00 Uhr, Kammermusiksaal, Prizewinners' Concert and Award Ceremony
16.07.2024, 19:00 Uhr, Graal-Müritz
17.07.2024, 20:00 Uhr, Marienkirche Ribnitz-Damgarten
31.08.2024, 19:30 Uhr, Feldsteinkirche Recknitz
22.09.2024, Kirche Landow
Registration Form
Information & Registration
Project management - Prof. Ulrike Bals
Raum OZ 06
Fon +49 381 5108-237
Fax +49 381 5108-101
ulrike.balshmt-rostockde
CONDITIONS OF PARTICIPATION "HMT-MUSIC-PRIZE"
All students enrolled at the hmt are eligible to participate, regardless of their nationality and length of study. The prerequisite for participation is the consent of the main subject teacher. First prize winners of the hmt - Music Prize cannot participate in the competition a second time in the same formation.
After 20.06.2024, changes to the specified programme are no longer permitted.
All participants are obliged to allow audio and video recordings free of charge during all phases of the competition. Copies of these recordings can be made at the request and expense of the participants. Own audio and film recordings are prohibited.
All participants eliminated after the 1st selection test will receive a participation diploma. Finalists who do not win any prizes will be awarded an honorary diploma.
Eliminated participants will be given the opportunity for a counselling interview with members of the jury on request.
The prizewinners undertake to accept their prizes in person and to take part in the prizewinners' concert on 13 July 2024 in the chamber music hall of the hmt free of charge. In addition, further prizewinners' concerts will take place on 16 July in Graal-Müritz, 17 July in Ribnitz-Damgarten, 31 August in the Feldsteinkirche Recknitz and on 22 September in Landow for a fee (1st prizewinners obligatory and, if applicable, further prizewinners after selection by the event organisations).
All auditions are open to the public.
Jury:
The jury usually consists of university lecturers from the hmt. External jurors may also be appointed.
The jury works in accordance with the competition regulations and the jury rules. The jury regulations can be viewed in the Rector's Office.
Jury secretariat: Prof. Ulrike Bals
Prizes:
Three prizes can be awarded, as well as honorary diplomas and diplomas.
In addition, the jury will decide on the awarding of a special prize for the best interpretation of the work from the field of New Music (after 1970).
Registration / Admission:
The following documents must be submitted:
completed application form with the list of the chosen competition programme
- Copy of student ID (preferably by e-mail)
- CV (in tabular form as well as a short biography for the programme) in German (preferably by e-mail)
- An application photo for each participant or an ensemble photo (preferably by e-mail)
- Declaration of consent from the main subject teachers and, if applicable, the ensemble teachers
- Copy of the score of the contemporary work in a transparent cover to be filed away
Completeness of the documents and timely registration are prerequisites for admission to the competition.
No registration fee will be charged.
The competition secretariat will confirm admission to the competition by 1 June 2024 and, if necessary, send further information on the competition procedure.
Subject to changes!
Programme for the chamber music category:
1st round (selection test)
a. Performance of at least two works of different styles, these can also be parts of works or individual movements
Playing time: 20 - 25 minutes
2nd round (final)
a. Performance of at least two works of different styles, one of which must be played in its entirety.
b. Performance of one or more works composed after 1970 (at least 10 minutes)
Playing time: 40 - 45 minutes
In the 2nd round, no repetitions of the works performed in the 1st round are possible!
Lied-duo
1st round (selection test)
a. Performance of songs from at least three different styles, these can also be songs from cycles.
Playing time: 20 - 25 minutes
2nd round (final)
a) Performance of a shorter cycle or a coherent part from a larger cycle (at least 15 minutes)
b) Performance of one or more songs composed after 1970 (at least 10 minutes)
c) Performance of various songs (at least 10 minutes)
Playing time: 40 - 45 minutes
In the 2nd round, no repetitions of the works performed in the 1st round are possible!
"hmt interdisciplinary" competition
Project prize to motivate and promote internal, inter-institutional projects at the university
Overall management: Prorector Martin Rieck
Evaluation category:
Artistic projects whose character is essentially characterised by the involvement of at least two institutes of the Rostock University of Music and Theatre (music, drama, music education/theatre education, musicology/music theory/composition).
Deadlines and procedure:
Start of registration: 15.01.2024
Closing date: 16.02.2024
Competition presentations: 4 - 6 April 2024
Venue: Katharinensaal
Information & Registration
Project management - Prof. Ulrike Bals
Room OZ 06
Phone +49 381 5108-237
Fax +49 381 5108-101
ulrike.balshmt-rostockde
COMPETITION RULES "HMT INTERDISCIPLINARY"
All students and learners enrolled at the hmt are eligible to participate, regardless of their nationality and length of study or training. The prerequisite for participation is the consent of the main subject teachers. First prize winners of the interdisciplinary hmt project prize can only take part in the competition a second time in a completely new formation consisting of other students.
Projects can be submitted by an individual student as the author, but it is recommended that a student team, which should not exceed six participants, develops and submits the project.
The project idea and its realisation must be based on the participation of at least two of the four university institutes and must originate from an exclusively student initiative. This applies to the idea itself as well as the rehearsals for the competition presentation.
Participation in only one project per competition year is possible.
The duration of a project must be a minimum of 40 minutes and a maximum of 50 minutes.
Each project is submitted by means of a detailed, written and/or multimedia exposé and thus bindingly registered for the competition. The exposé must indicate the content as well as the exact process, the duration, the technical requirements and the names of the participants as well as their exact function within the project. All students involved in a project must sign the synopsis, stating their institute affiliation.
They are thus obligated to actively participate in the competition presentation and, if applicable, the prize-winning presentation of the project they have submitted.
The production of the stage (props, images, etc.) is to be undertaken by the participants and is considered part of the project. Technical equipment and systems (lighting, sound etc.) are to be operated by the participants with the assistance of the technical staff or the sound studio manager.
On 2 and 3 April, the stage will be available for rehearsals, technical meetings and specifications. On these days, each project will be given limited rehearsal and set-up time. For initial technical arrangements and questions, participants can contact Mr Dudszus or Mr Evert in advance.
On the day of the competition presentation, each project will have the opportunity for a final rehearsal or a run-through rehearsal.
All participants are obliged to allow audio and video recordings free of charge during all phases of the competition. Copies of these recordings can be made at the request and expense of the participants.
Own audio and film recordings are prohibited.
All presentations are public.
Jury
As a rule, the jury consists of university lecturers from hmt. External jurors may also be appointed.
The jury works in accordance with the competition regulations.
Prizes
Three prizes, special prizes, certificates and diplomas of honour can be awarded.
Prizes may be split or not awarded.
Special prize for the best project idea
The jury will also decide whether to award a special prize for an outstanding project idea.
Registration / Admission
The following documents must be submitted:
- One completed application form per project
- Project synopsis, which must include the following points:
- Content
- exact procedure
- Duration, technical requirements
- List of literature or music used
- Names of those involved and their exact function within the project
- Signature of all students involved in a project, stating their institute affiliation
- Brief synopsis (for the programme)
- Curriculum vitae of all participants (in tabular form) in German
- An application photo of all participants
- student ID cards
- Declaration of consent from the main subject teacher
Completeness of the documents and timely registration are prerequisites for admission to the competition.
No registration fee will be charged.
The competition secretariat will confirm admission to the competition by 1 March 2024 and may send further information on the competition procedure.
Subject to change without notice!
12. – 15.07.2007
Evaluation category „Klavier“
1. Preis: Annika Treutler, Klavier (Klasse Prof. Matthias Kirschnereit)
2. Preis: Clemens Berg, Klavier (Prof. Karl-Heinz Will und Prof. Matthias Kirschnereit)
2. Preis: Andreas Hering, Klavier (Klasse Prof. Matthias Kirschnereit)
3. Preis: wurde nicht vergeben
Evaluation category „Kammermusik“
1. Preis: wurde nicht vergeben
2. Preis: Friederike Rann, Kammermusik/Violine (Klasse Prof. Christiane Hutcap)
2. Preis: Jens Hoffmann, Kammermusik/Klavier (Klasse Prof. Matthias Kirschnereit)
3. Preis: Jens Hoffmann, Kammermusik/Klavier (Klasse Prof. Matthias Kirschnereit)
3. Preis: Mari Miyamoto, Kammermusik/Klavier (Klasse Prof. Matthias Kirschnereit)
3. Preis: Jun Ogata, Kammermusik/Oboe (Klasse Sabine Kaselow)
3. Preis: Nichiyo Fukui, Kammermusik/Horn (Klasse Prof. Günter Weidlich)
3. Preis: Jana Graubaum, Kammermusik/Flöte (Klasse Anja Setzkorn-Krause)
3. Preis: Young Joo Shon, Kammermusik/Flöte (Klasse Anja Setzkorn-Krause)
Sonderpreis für beste Interpretation des Werkes nach 1950:
- Jens Hoffmann, Kammermusik/Klavier (Prof. Matthias Kirschnereit)
Young Joo Shon, Kammermusik/Flöte (Klasse Anja Setzkorn-Krause)
17.-20.07.2008
Evaluation category „Gesang“
1. Preis: wurde nicht vergeben
2. Preis: Mitsuyo Okamoto, Gesang (Klasse Prof. Klaus Häger)
2. Preis: Nicole Schulz, Gesang (Klasse Prof. Waldemar Wild)
3. Preis: Yosep Park, Gesang (Klasse Prof. Waldemar Wild)
3. Preis: Katharina Steinwachs, Gesang (Klasse Penka Christova)
Sonderpreis für die beste Interpretation der nach 1950 komponierten Arie: Nicole Schulz, Gesang (Klasse Prof. Waldemar Wild)
Ehrendiplom als Finalist: Christian Henneberg, Gesang (Klasse Prof. Klaus Häger)
Evaluation category „Kammermusik Duo-Besetzungen“
1. Preis: Jing Li und Helge Aurich, Kammermusik/Duo Klavier (Klassen Prof. Stephan Imorde und Prof. Karl-Heinz Will)
2. Preis: Pauline Reguig und Emilio Peroni, Kammermusik/Duo Violine und Klavier (Klasse Prof. Petru Munteanu/Violine)
3. Preis: wurde nicht vergeben
Ehrendiplom als Finalist: Sornitza Patchinova und Yasuko Sugimoto, Kammermusik/Duo Violine und Klavier (Klassen Ulrike Bals, Violine; Prof. Bernd Zack und Fr. Kobayashi)
Evaluation category „Kammermusik Trio - Quintett“
1. Preis: wurde nicht vergeben
2. Preis: wurde nicht vergeben
3. Preis: hmt-Bläserquintett (Elizaveta Butzlaff, Jun Ogata, Akiko Kono, Marco Cola, Emiko Kaneda), Kammermusik (Klassen Prof. Günter Weidlich, Prof. Gregor Witt)
Sonderpreis für beste Interpretation des Werkes nach 1950: hmt-Bläserquintett (Elizaveta Butzlaff, Jun Ogata, Akiko Kono, Marco Cola, Emiko Kaneda), Kammermusik (Klassen Prof. Günter Weidlich, Prof. Gregor Witt)
Ehrendiplom als Finalist: So-Young Baik, Su Ji Im, Bo Mi Kim und Rui Wang, Kammermusik/Streichquartett (Klassen Prof. Petru Munteanu, L. Casleanu, Prof. Karin Wolf, Prof. Josef Schwab)
16.-17.07.2009
Evaluation category „Kammermusik Duo-Besetzungen“
1. Preis: Sarah Wang und Susan Wang, Kammermusik/Duo Klavier (Klasse Prof. Volker Stenzl und Prof. Hans-Peter Stenzl)
2. Preis: Akiko Kono und Helge Aurich, Kammermusik/Duo Klarinette und Klavier
3. Preis: Kae Hirano und Aya Matsushita, Kammermusik/Duo Sopran und Klavier
Sonderpreis für die beste Interpretation des Werkes nach 1970: Akiko Kono und Helge Aurich, Kammermusik/Duo Klarinette und Klavier
Evaluation category „Kammermusik Trio - Quintett“
1. Preis: Trio Trialog: Carlin Renner (Klar.), Frédérique Labbow (Vcl), Iryna Salvytska (Klav.), Kammermusik Trio bis Quintett
2. Preis: Rostocker Streichquintett: Darya Ashmankevich (Vl), Nora Markowski (Vl), Aline Cousy (Vla.), Lucas Schwengebecher (Vla), Laura-Marlene Gick (Vcl), Kammermusik Trio bis Quintett
3. Preis: Flötenquartett „Flaudretto“: Dongjin Kim, Kanami Murota, Hsin-Mei Pan und Young Joo Shon, Kammermusik Trio bis Quintett
Sonderpreis für die beste Interpretation des Werkes nach 1970: Sarah Wang und Susan Wang, Kammermusik/Duo Klavier (Klasse Prof. Volker Stenzl und Prof. Hans-Peter Stenzl)
15.-17.07.2010
Evaluation category „Kammermusik Duo-Besetzungen“
1. Preis: Triin Ruubel (Violine) und Stefan Vesković (Klavier)
2. Preis: Ah Reum Seo und Soo-In Wie (Klavierduo)
3. Preis: Olga Vilenskaia (Sopran) und Lea Fink (Klavier)
Sonderpreis für die beste Interpretation des Werkes nach 1970: Ah Reum Seo und Soo-In Wie (Klavierduo)
Ehrendiplom als Finalistinnen: Yukari Ito und Mari Inoue (Klavierduo)
Evaluation category „Kammermusik Trio - Quintett“
1. Preis: wurde nicht vergeben
2. Preis: Flötenquartett "Flaudretto": Dongjin Kim, Seonghwa Kook, Hsin-Mei Pan und Young Joo Shon (Querflöten)
3. Preis: wurde nicht vergeben
Sonderpreis für die beste Interpretation des Werkes nach 1970: Flötenquartett „Flaudretto": Dongjin Kim, Seonghwa Kook, Hsin-Mei Pan und Young Joo Shon (Querflöten)
10.-13.07.2012
Evaluation category „Klavier solo“
1. Preis: Lilit Grigoryan
2. Preis: Johann Blanchard
2. Preis: Vasyl Kotys
3. Preis: Jinho Moon
Sonderpreise
für die beste Interpretation des Werkes von J. S. Bach: Lilit Grigoryan
für die beste Interpretation des Werkes von F. Chopin: Jinho Moon
für die beste Interpretation des Werkes nach 1960: Vasyl Kotys
für die beste Interpretation des Werkes der Wiener Klassik: Lilit Grigoryan
für die jüngste Finalistin: Katharina Groß
Evaluation category „Kammermusik Trio bis Sextett“
1. Preis: Trio d’anches de Berlin: Stephanie Treichl, Melina Paetzold, Vladimír Sedlák
1. Preis: Trio Concorde: Luise Sachse, Neasa Ní Bhriain, Imke Lichtwark
2. Preis: Elegio–Quartett: Isabella Kubiak, Maria Potemkina, Ekaterina Sinitsyna, Hsin-Chen Yeh
3. Preis: Blechbläser–Quartett: Florian Becher, Lucas Marin Lopez, Richard Weiß, Erik Weyer
Sonderpreis für die beste Interpretation des Werkes nach 1970: Trio Concorde: Luise Sachse, Neasa Ní Bhriain, Imke Lichtwark
8. – 10.07.2014
1. Preis: Adumá-Saxophonquartett: Anne Roedszus, Pai Liu, Marina Elsner und Kathrin von Kieseritzky
2. Preis: Klavierquintett: Vasyl Kotys, Isabella Kubiak, Maria Potemkina, Aleksandar Jordanovski und Margreta Häfer
3. Preis: Bläsertrio: Lisa Hofmann, Vincent Burkowitz und Masumi Kusaka
Sonderpreis für die beste Interpretation des Werkes nach 1970: Adumá-Saxophonquartett: Anne Roedszus, Pai Liu, Marina Elsner und Kathrin von Kieseritzky
8.-12.07.2015
1. Preis: Klarinettentrio: Melina Paetzold (Klarinette), Haruka Abe (Viola), Dorothea Ramsenthaler (Klavier)
2. Preis: Trio Argentis: Patricia Schneider (Querflöte), Paula Díaz Guarino (Oboe), Josefa Zalud (Klarinette)
3. Preis: Bläserquintett: Patricia Schneider (Querflöte), Franziska Pixis (Oboe), Josefa Zalud(Klarinette), Constance Banzhaf (Horn), Peisen Zhen (Fagott)
Sonderpreis für die beste Interpretation des Werkes nach 1970:
Trio Argentis: Patricia Schneider (Querflöte), Paula Díaz Guarino (Oboe), Josefa Zalud (Klarinette)
Ehrendiplom als Finalisten:
Klaviertrio: Melano Shashiashvili (Klavier), Alejandro Carrillo (Violine), Valentin Preuß (Violoncello)
19.07.2016
1. Preis: Schlagzeugensemble TAP-Beat: Jaehoon Bin, Axel Meier, Theresia Seifert, Paul Wagner
2. Preis: Streichquartett: Tony Zhai (Violine), Carmen Molina Espejo (Violine), Aleksandar Jordanovski (Viola), Joana Mateu Carles (Violoncello)
3. Preis: Streichquartett: Anna-Maria Kotani (Violine), Anna Zaubzer(Violine), Iulia Goiana(Viola), Reinis Apsitis (Violoncello)
Sonderpreis für die beste Interpretation des Werkes nach 1970: Streichquartett: Tony Zhai (Violine), Carmen Molina Espejo (Violine), Aleksandar Jordanovski (Viola), Joana Mateu Carles (Violoncello)
13.-14. Juli 2017
1. Preis und Sonderpreis für eine exzeptionelle Interpretation eines Werkes, in diesem Falle "Cays" von Sven Daigger: Trio mit Yann Metzmacher, Hye-Lim Yun und Nora Wortmann
2. Preis: wurde nicht vergeben
3. Preis: wurde nicht vergeben
13.-14. Juli 2018
1. Preis: Hans Henning Ernst (Violine) und Siyue Wang (Klavier)
1. Preis: Jaewon Kim (Bariton) und Yeonwoo Lee (Klavier)
2. Preis: Yuya Fukushima (Violine) Tadashi Forck (Violoncello) und Christian Siebert (Klavier)
3. Preis: Jonathan Hartzendorf (Bariton) und Nikolai Denisov (Klavier)
Sonderpreis für die beste Interpretation des Werkes nach 1970: Hans Henning Ernst (Violine) und Siyue Wang (Klavier)
12.-13.07.2019
1. Preis: Schlagzeugensemble: Pedro Berbel Tauste, Ravindra Della Bina, Matias Mucchi, Max Schwarz, Andrea Toselli
1. Preis: Trio Klarinette, Violine und Klavier: Maxim Senkov (Klarinette), Alesiia Iankovskaia (Violine) und Dariya Yastrezhembskaya (Klavier)
2. Preis: Liedduo: Jonathan Hartzendorf (Bariton) und Eunae Yun (Klavier)
3. Preis: wurde nicht vergeben
Sonderpreis für die beste Interpretation des Werkes nach 1970: Trio Klarinette, Violine und Klavier: Maxim Senkov (Klarinette), Alesiia Iankovskaia (Violine) und Dariya Yastrezhembskaya (Klavier)
2020 | Corona
15.-17.07.2021
Evaluation category „Kammermusik Trio - Sextett“
1. Preis: Klaviertrio Antong Zou (Klavier), Johanna Strümpel (Violine), Laura Zielke (Violoncello)
2. Preis: Liedduo Viola Michalski (Sopran), Zifang Yu (Klavier)
3. Preis: Duo Violine und Klavier Annina Pritschow(Violine), Akine Yoshihara (Klavier)
Jurypreis: Liedduo Theresa Zschunke, Hannah Hauser
Sonderpreis für die beste Interpretation des Werkes nach 1970: Liedduo Theresa Zschunke, Hannah Hauser
Ehrendiplom als Finalisten:
Klaviertrio Ma Xuezhao (Klavier), Nora Shekyan (Violine), Alla Kurdiumova (Violoncello); Duo Tuba und Klavier Andrii Stadniuk, Dariya Yastrezhembskaya; Liedduo Yuka Ieda, Kaho Yamashita
14.-15.07.2022
Evaluation category „Kammermusik Trio - Sextett“
1. Preis: wurde nicht vergeben
2. Preis (je 600 €): Klavierquartett Yuto Nakajima (Klavier), Sarah Mittelbach (Violine), Łucja Jaskuła (Viola), Ri Kang (Violoncello)
2. Preis (je 600 €): Lux Quartett Urzula Abramczuk (Viola), Anna Furmanowicz (Viola), Yongbeom Kim (Viola), Xuhaoran Zhang (Viola)
3. Preis (je 400 €): Liedduo In Hyeok Park (Tenor), Dong Jin Lee (Klavier)
Sonderpreis für die beste Interpretation des Werkes nach 1970 (je 100 €): Lux Quartett Urzula Abramczuk (Viola), Anna Furmanowicz (Viola), Yongbeom Kim (Viola), Xuhaoran Zhang (Viola)
Ehrendiplom als Finalisten:
Ispirato Quartett Annina Pritschow (Violine), Filippo Tesini (Violine), Estelle Enkelmann (Viola), Qianmin Deng (Violoncello)
Duo Violine und Violoncello Luis Felipe Herrera Ortiz (Violine), Ji-Young Kim (Violoncello)
11.-13.07.2023
Kammermusik: Duo bis Sextett (instrumental und/oder vokal) außer Klavierduo
Ausgefallen aufgrund einer zu geringen Zahl an Anmeldungen.
11.-23.07.2024
Evaluation category „Kammermusik Trio - Sextett“
1. Preis (p. P. 500 €) und Sonderpreis für die beste Interpretation des Werkes nach 1970 (ges. 500 €): Streichquartett: Claire Weatherhead (Violine), Leonie Seemann (Violine), Vera Küster (Viola), Oleg Sarapulov Mertelov (Violoncello)
1. Preis (p.P. 500 €): Schlagzeugduo „Baltic Beats": Finn Hennes und Tigran Mirzoian
2. Preis (p.P. 350 €): Liedduo: Iga Kowalczyk (Sopran) und Diandian Zhang (Klavier)
3. Preis (p.P. 250 €): Liedduo: Tobias Völklein (Tenor) und Hannah Hauser (Klavier)
3. Preis (p.P. 250 €): Emma Fischer (Querflöte), Moritz Kieckhöfer (Oboe), Jaime Ramirez (Klarinette), Johann Heller (Fagott), Philipp Redes (Horn)
