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Daniel Müller-Schott is one of the most sought-after cellists in the world and can be heard on all the great international concert stages. For many years he has been enchanting audiences as an ambassador for classical music in the 21st century and as a bridge-builder between music, literature, and the visual arts. Daniel MüllerSchott attaches great importance to discussion concerts and performances in unusual places, such as recently in a Hamburg club together with musicians of the NDR Elbphilharmonie Orchestra. The New York Times refer to his "intensive expressiveness" and describes him as a "fearless player with technique to burn".

Daniel Müller-Schott guests with international leading ensembles; in the US with the orchestras in New York, Boston, Cleveland, Chicago, Philadelphia, San Francisco and Los Angeles; in Europe with the Berliner Philharmoniker, Gewandhausorchester Leipzig, Bayerisches Staatsorchester and Münchner Philharmoniker, the Radio Orchestras from Berlin, München, Frankfurt, Stuttgart, Leipzig, Hamburg, Copenhagen, Prague and Paris, Tonhalle-Orchester Zurich and Zurcher Kammerorchester, Oslo Philharmonic, the London Symphony and London Philharmonic orchestras, the City of Birmingham Symphony Orchestra, the Netherlands Philharmonic Orchestra and the Spanish National Orchestra, as well as in Australia with the Sydney and Melbourne Symphony orchestras and in Asia with Tokyo’s NHK Symphony Orchestra, Taiwan’s National Symphony Orchestra, Singapore Symphony and Seoul Philharmonic Orchestra.

International music festivals regularly invite Daniel Müller-Schott. In his chamber music concerts, Daniel MüllerSchott collaborates inter alia with Kit Armstrong, Renaud Capuçon, Veronika Eberle, Julia Fischer, Janine Jansen, Igor Levit, Sabine Meyer, Nils Mönkemeyer, Anne-Sophie Mutter, Francesco Piemontesi, Emmanuel Tjeknavorian, Simon Trpčeski and with the Modigliani and Aris Quartet.